| 00:00:00 |
00:00:01 |
"Action"
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| 00:00:02 |
00:00:05 |
- We face betrayal by Kuwait.
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| 00:00:07 |
00:00:09 |
Now is not the time for disharmony.
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| 00:00:10 |
00:00:14 |
I demand absolute loyalty from my generals.
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| 00:00:16 |
00:00:18 |
General Vasid?
- Your excellency? |
| 00:00:19 |
00:00:21 |
- Please leave the room, by the door behind you.
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| 00:00:23 |
00:00:24 |
"And cut"
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| 00:00:26 |
00:00:29 |
Ours is a political drama, it tells a political
story. |
| 00:00:29 |
00:00:31 |
But it's also a personal drama and a personal
story. |
| 00:00:31 |
00:00:38 |
- Alex wrote an amazing drama. It is genius.
- The image we have of Saddam is set for us |
| 00:00:38 |
00:00:42 |
by the newspapers and the media, and I've heard
these scripts just dug right behind that. |
| 00:00:43 |
00:00:47 |
- It's trying to explore the private life
of Saddam Hussein. |
| 00:00:47 |
00:00:50 |
- The stuff that we would never know about,
never hear about. |
| 00:00:51 |
00:00:55 |
- All the corners, the hidden corners.
- May I present to you the victory arch. |
| 00:00:56 |
00:00:57 |
- It's a bit small.
|
| 00:01:00 |
00:01:03 |
- The more I looked into it, the more fascinated
I became in the set of characters |
| 00:01:04 |
00:01:09 |
and relationships, that swirled around this man.
He surrounded himself with a family. |
| 00:01:10 |
00:01:15 |
Everybody that was around him was related.
- They are my blood. You understand? |
| 00:01:15 |
00:01:21 |
And I know a traitor before he knows himself.
- When you are close to power, you can never |
| 00:01:21 |
00:01:26 |
have real friends. The friend of yesterday is the
enemy of today. |
| 00:01:26 |
00:01:30 |
- Traitor!!!
- Through his inability to trust, |
| 00:01:31 |
00:01:34 |
Saddam actually ends up, becoming more and more
isolated. |
| 00:01:34 |
00:01:36 |
- Now look what you're left with!
|
| 00:01:37 |
00:01:40 |
Men who are nothing but afraid of you.
|
| 00:01:41 |
00:01:46 |
Sajida, my character, and Saddam they were
in love. They were raised together, |
| 00:01:46 |
00:01:51 |
and he betrays her.
- My character introduces Saddam to his second |
| 00:01:51 |
00:01:54 |
wife, Samira.
- Who's the blond? |
| 00:01:54 |
00:01:58 |
Sajida knows what's going on, and then when she
feels the threat, |
| 00:01:58 |
00:02:01 |
she turns herself blond.
- You changed your hair. |
| 00:02:02 |
00:02:05 |
- Do you like it?
- It looks cheap. |
| 00:02:06 |
00:02:09 |
- She's the factor that kind of unsettles the
family. |
| 00:02:10 |
00:02:12 |
- Saddam having a second wife, having a second
family, |
| 00:02:12 |
00:02:16 |
means Uday's position, is possibly put into
question |
| 00:02:17 |
00:02:20 |
- What if he married her because she was pregnant?
What if they have a son? |
| 00:02:21 |
00:02:24 |
He will be a firstborn.
- Uday is jealous of people that spend a lot |
| 00:02:24 |
00:02:28 |
of time with Saddam, and gain credit in
Saddam's eyes. |
| 00:02:28 |
00:02:34 |
- You're Baba's little son, but Baba won't always
be president. |
| 00:02:37 |
00:02:40 |
- Uday was a pretty unhinged character, who
thought nothing of, |
| 00:02:40 |
00:02:44 |
shooting people who disagreed with him.
- Saddam knew that Uday was going to garnish |
| 00:02:44 |
00:02:48 |
his image in front of the inner circle.
- And he still didn't do anything. |
| 00:02:48 |
00:02:50 |
- I'll speak to Baba.
- No! |
| 00:02:50 |
00:02:53 |
- He should know how Uday is behaving.
- Don't you think your father already knows? |
| 00:02:53 |
00:02:55 |
It will make no difference.
|
| 00:02:55 |
00:02:59 |
- The story seemed something of a saga. It was
this swirling set of relationships |
| 00:02:59 |
00:03:02 |
within this very intense and very closed in
family. |
| 00:03:03 |
00:03:08 |
- I think Alex understood the question of honor,
the question of family. |
| 00:03:08 |
00:03:13 |
- It's a great, big Shakespearean tale.
- We haven't been weakened by war, |
| 00:03:13 |
00:03:17 |
we've been enhanced!
- I was sort of thrilled 'cause I was |
| 00:03:17 |
00:03:22 |
seeing a side of Iraq, a side of Saddam Hussein,
a side of the family, I've never seen before. |
| 00:03:22 |
00:03:25 |
- This is my country.
|
| 00:03:27 |
00:03:28 |
My country...
|